“You think it would prove a useful alliance?” she suggested. Mary hoped that Joan was hungry. Joan laughed and admitted that she was. “It’s the smell of all the nice things,” she explained. Mary promised it should soon be ready, and went back to her corner.!

“But you still loved her, didn’t you, Dad?” she asked. “I was very little at the time, but I can just remember. You seemed so happy together. Till her illness came.” They formed a curious physical contrast, these two women in this moment. Joan, radiant, serene, sat upright in her chair, her head slightly thrown back, her fine hands clasping one another so strongly that the delicate muscles could be traced beneath the smooth white skin. Madge, with puckered brows, leant forward in a crouching attitude, her thin nervous hands stretched out towards the fire.

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “What is he like?” asked Joan. Facing the mirror of the days to come, she tried it on. It was going to hurt. There was no doubt of that. She saw the fatuous, approving face of the eternal Mrs. Phillips, thrust ever between them, against the background of that hideous furniture, of those bilious wall papers—the loneliness that would ever walk with her, sit down beside her in the crowded restaurant, steal up the staircase with her, creep step by step with her from room to room—the ever unsatisfied yearning for a tender word, a kindly touch. Yes, it was going to hurt.